Woody Pines Bringing Down Home Swing to Hot August Blues Festival

If you’re wondering where the music of troubadour WOODY PINES comes from, look to the streets. It was on the streets as a professional busker that Woody first cut his teeth, drawing liberally from the lost back alley anthems and scratchy old 78s of American roots music, whether country blues, jugband, hokum, or hillbilly.

That's the refreshing sound Woody Pines brings to the Kenlake Hot August Blues Festival, Friday evening, August 24^th at the Kenlake State Park Amphitheater.

Heavy rollicking street performances are the key to some of today’s best roots bands, like Old Crow Medicine Show (Woody and OCMS’ Gill Landry used to tour the country in their own jugband), and they’re the key to Woody’s intensely catchy rhythms, jumpy lyrics, and wildly delirious sense of fun. Woody traveled all over the streets of this country, road testing his songs, drawing from the catchiest elements of the music he loved and adding in hopped-up vintage electrification to get that old country dancehall sound down right.

That’s why the songs on his new most recent release, WOODY PINES (on underground label Muddy Roots Recordings) are so hot. This is gonzo folk music, the kind of raise-the-rafters, boot-shakin’ jump blues that used to be banging out of juke joints all over the South in the late 1940s, but now it’s burning into the earholes of a younger generation of Nashville kids, all looking for music with deep roots and something to hang on to.

It’s tempting to call Woody Pine’s newest music “rockabilly,” and in fact he recorded at Sputnik Studios in Nashville, famous for recording rockabilly and psych-twang heroes JD McPherson, Jack White, and Sturgill Simpson. But it might be more accurate to call Woody’s new songs “hillbilly boogie;” a rarely remembered genre of American music made famous by the Delmore Brothers. Hillbilly boogie sits at the exact moment when the buzzed- out, electrified hillbilly country music of Appalachia (which itself drew heavily from country blues), first hit the sawdust-floored honky-tonks of old Nashville and Memphis. It was the moment exactly before the birth of rock ‘n’ roll. Woody writes with a wink to this critical time on songs like “Anything for Love” and “New Nashville Boogie,” drawing in modern references at will to make his points. He also dives deep into the tradition, drawing up gems like the old gangsta- folk song “Make It to the Woods” from the Mississippi Sheiks. In Woody’s music, there’s never an idea that roots music should be a recreation of an older time. Instead, he taps the vein of this music that’s still beating today, finding common ground with the old hucksters and bar-hounds who created the music in the first place.

When Woody Pines sings “when the train rolls by, I get a faceful of rain,” this isn’t some hipster dilettante twisting a faux-handlebar mustache and singing about old-timey railroads, this is a dedicated student of Woody Guthrie who used to hop freight trains to get from town to town. This is serious roots music that’s as much a way of life as an aesthetic choice. This music isn’t for dabblers; you gotta feel it in your bones. Let Woody Pines help.

The Kenlake Hot August Blues Festival is set for Thursday through Saturday, August 23-25 at Kenlake State Park in Aurora, Kentucky. Discount tickets are available HERE!

Charities which will benefit from this year's Hot August Blues Festival include The Shriners, who will be operating festival shuttles with all tips and proceeds going to the Shriners' Childrens' Hospitals, and the Knights of Columbus.